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RUNNING WITH THE FAIRIES: TOWARDS A TRANSPERSONAL ANTHROPOLOGY OF RELIGION

Running with the Fairies: Towards a Transpersonal Anthropology of Religion is a unique account of the living spirituality and mysticism of fairyfolk in Ireland. Fairyfolk are fairyminded people who have had direct experiences with the divine energy and appearance of fairies, and fairypeople, who additionally know that they have been reincarnated from the Fairy Realm. While fairies have been folklore, superstition, or fantasy for most children and adults, now for the first time in a scholarly work, highly educated persons speak frankly about their religious/spiritual experiences, journeys, and transformations in connection with these angel-like spirit beings. Set in academic and popular historical perspectives, this first scholarly account of the Fairy Faith for over a hundred years, since believer Evans-Wentz’s 1911 published doctoral dissertation The Fairy-Faith in Celtic Countries, integrates a participatory, going native anthropology with transpersonal psychology. Providing extensive verbatim interviews and discussions, this path-breaking work recognizes the reality of nature spirit beings in a Western context. Through intensive on-site fieldwork, the PhD cultural anthropologist author discovers, describes and interviews authentic mystics aligned with these intermediary deific beings. With an extensive introduction placing fairies in the context of the anthropology of religion, animism, mysticism, and consciousness, this daring ethnography considers notions of belief , perception , and spiritual experience , and with intricate detail extends the focus of anthropological research on spirit beings which previously have been considered as locally real only in indigenous and Eastern cultures.

The book is published by Cambridge Scholars Publishing (2012) in hard cover with 295 pages.

ISBN-10:: 1443838918 

ISBN-13: 978-1443838917

Dennis Gaffin, PhD, is a Professor of Anthropology at the State University of New York College at Buffalo. Gaffin s earlier fieldwork was on the Faeroe Islands. In recent years he has traveled and conducted research primarily in Ireland and India. He teaches comparative religion, cultural ecology, and medical anthropology. In addition to the ethnography In Place: Spatial and Social Order in a Faeroe Islands Community, he has published articles in academic and popular journals.

 

 

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Coleridge’s Chrysopoetics: Alchemy Authorship and Imagination

  

From: Cambridge Scholars Publishing

http://www.c-s-p.org/about_us.htm

  Coleridge’s Chrysopoetics: Alchemy, Authorship and Imagination
Author: Kiran Toor
Date Of Publication: Feb 2011
Isbn13: 978-1-4438-2656-3
Isbn: 1-4438-2656-1

 This book is an attempt to assess the creative potential of alchemy as a master trope in Coleridge’s conception of authorship and imagination. It begins with a challenge to the idea that an autonomous author is at the centre of a literary work. This idea is crucial to the reception of literature and to the way in which concepts of “originality” and “authorship” are typically understood. Against this marking out of an author as a singular, autonomous, and uniquely privileged “self,” it is posited that, for Coleridge, authorship occurs in a transformative or alchemical interspace between the desire for self-expression and the necessarily other-determined nature of creativity. Offering an alternative trajectory for the author, Coleridge elaborates an imaginative strategy in which the dislocation of the self from itself is the truest path to self-expression, and the author must become other in order to become more fully himself. Demonstrating a unique link between plagiarism and creativity, this book suggests that alchemy, better than any other system, accounts for Coleridge’s propensity for plagiarism and for an aesthetic of artifice. In an attempt to trace Coleridge’s familiarity with Hermetic and alchemical discourses throughout his life, it has been necessary to review works as varied as those of Plato, Marsilio Ficino, Ralph Cudworth, Jacob Boehme, Herman Boerhaave, and F. W. J. Schelling. It is then suggested how Coleridge appropriates alchemical terminology to his own aesthetic and imaginative ends. Unable to resolve the desire for aesthetic autonomy with the impossibility of asserting the self in one’s own voice, Coleridge “plays” in the hermeneutic interspace between selfhood and otherness, creativity and counterfeit, authority and artifice in order to arrive at an entirely unique strategy of alchemical self-exposition. Arriving at authorial selfhood through the odyssey of alterity, Coleridge’s “play”giarisms, in this view, do not violate the principles of originality, but redefine them. The book ends with a consideration of the necessarily negotiated fiction of all acts of imagination and authorship.

Dr Kiran Toor is a university lecturer in English Language and Literature at Goldsmiths College, London, England. She is also the chief sub editor for Myrtle Press, and was most recently appointed deputy editor of Spectator Business magazine.


 
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