Posts Tagged ‘art history’
Correspondences. An online Journal for the Academic Study of Western Esotericism.
Call for papers. Deadline: feb. 28, 2013.
Correspondences seeks to create a public academic forum devoted to discussion and exposition of issues and currents in the field commonly known as ‘Western Esotericism.’ The editors acknowledge that the use of “Western esotericism” as an umbrella term for a widely variant field of alternate scientific and religious ideas is problematic. Thus, articles related to esoteric currents from other global cultural centers may be accepted if a connection to “alternative” currents in “western culture” is implicitly established.
The following list of areas of study is provided for clarification: Alchemy, Anthroposophy, Astrology, Eco-spirituality, Esoteric art, literature, and music, Freemasonry, Geomancy, Gnosticism, Hermeticism, Illuminism, Initiatory secret societies, Kabbalah, Magic, Mesmerism, Mysticism, Naturphilosophie, Neo-paganism, New Age, Occultism, Occulture, Paracelsianism, Rosicrucianism, Satanism, Spiritualism, Theosophy, Traditionalism, Ufology, Witchcraft.
Correspondences encourages submissions from a variety of methodological and disciplinary approaches, such as: History of Religions; Sociology; Art History; Philosophy; History of Science; Literature; ; and Cultural Studies, just to name a few.
Jimmy Elwing, rMA student, Universiteit van Amsterdam, The Netherlands.
Aren Roukema, rMA student, Universiteit van Amsterdam, The Netherlands.
Egil Asprem, MA, Researcher, Universiteit van Amsterdam, The Netherlands.
Dr. Henrik Bogdan, University of Gothenburg, Sweden.
Dr. Juan Pablo Bubello, Universidad de Buenos Aires, Argentina.
Dr. Dylan Burns, University of Copenhagen, Denmark.
Dr. Peter Forshaw, Universiteit van Amsterdam, The Netherlands.
Christian Giudice, PhD student, University of Gothenburg, Sweden.
Dr. Amy Hale, St. Petersburg College, United States.
Prof. Boaz Huss, Ben-Gurion University of the Negev, Israel.
Prof. Birgit Menzel, Universität Mainz, Germany.
More Information, please contact us at
Call For Papers/ Presentations/ Performance:
Hosting 6: “Absence – Haunted Landscapes”
Hosting 7: “Presence – Manifesting Ghosts”
GHost invites proposals for papers, presentations, or performances of 30 minutes exploring the desire and attempt to materialise what is absent via the medium of haunted landscapes or through the manifestation of a ghost. We would like to hear from researchers within all fields – anthropology, art history, cultural studies, film studies, history, science, law, literary studies, parapsychology, psychology, philosophy etc. as well as practising artists.
The Hostings will take place in the Court Room, University of London, Senate House between 6.30 – 9.00pm on the 29th February and 14th March.
Please send a (working) title and an abstract of approximately 300 words, also include which Hosting you are submitting to and, if applicable, one or two pictures.
Send these to Sarah Sparkes at: email@example.com
More about GHost:
Deadline for submissions of proposals: 13th January 2012
Hostings 6: Absence – Haunted Landscapes
The Key Of Solomon, a medieval grimoire instructs magicians to seek out “places that lie concealed, distant and removed from the haunts of men. Wherefore desolate and uninhabited regions are most appropriate, such as the borders of lakes, forests, dark and obscure places, old and deserted houses, whither rarely and scarce ever men do come, mountains, caves, caverns, grottos, gardens, orchards…”
Could it be that this instruction suggests a common topography of the haunted landscape that such venues operate as amplifiers for achieving rapport with the dead? Perhaps it is the absence of life and the nature of our own loneliness that in fact haunts the landscape? Are places of tragedy imbued with spirits of their victims or is this just a romantic engagement, an imaginative association with a past event? Is it possible to use a particular landscapes to facilitate the experience of paranormal phenomena – in this respect can landscape serve like the séance room for the natural channelling of the spirit of place, or the dead souls of its past? Moreover, have artists and writers intuitively apprehended these landscapes to manifest a haunted aesthetic?
GHost invites submissions exploring these or other ideas associated with the Haunted Landscape.
Hostings 7: Presence – Manifesting Ghosts
“Ghost Seance has the potential to summon spirits at any given location and time although 3:00 a.m. usually produces the best results.” (Taken from a website advertising a séance app. for smart phones)
Writers, psychical investigators, mediums, parapsychologists, illusionists, artists all have manifested ghosts in their own way. The writers mind conjures up ghostly apparitions, pinning down their fleeting forms with words. In the darkened séance room both psychical investigator and audience witness phenomena produced by the medium. Whether witnessed by believer or sceptic, the spirit announces itself, with a common ghostly language: wraps, moving furniture, unexplained scents, temperature changes, phosphorescent lights etc. In more recent times visual and auditory ephemera has been described and captured by paranormal investigators with the help of technological devices. This new language of the ghostly reappears in the haunted aesthetics of films such as Nigel Kneale’s The Stone Tape and in the work of contemporary artists such as Susan Hiller. When attempting to document ghosts, is it us or the ghosts who are controlling the means by which we describe and measure their presence?
GHost invites submissions exploring ghost-makers; their means, methods and their reasons for manifesting ghosts.
GHost is a visual arts and creative research project which explores the various roles ghosts play in contemporary culture by bringing artists, writers, curators, researchers and others together. In homage to Duchamp’s wordplay “A guest + a host = a ghost”, we take on and explore the various roles of ghosts, guests and hosts in our activities. The project has been running since 2008 and we have organised exhibitions, performance nights and so-called Hostings, seminar-style workshops which serve as a forum for exchange between thinkers and makers, audience and practitioners. As a research project, GHost blurs the boundaries between the diverse research groups and audiences that exist for the paranormal and hosts events in which these groups can explore their various beliefs. As a visual arts project, GHost explores the illusionary power of art and artists to create what could be seen as a ‘haunted aesthetic’. Visual art exhibitions have been hosted by a John Soane church in East London, at the London Art Fair and the Folkestone Triennial Fringe while the Hostings have been held at Senate House, University of London.
GHost has been organising Hostings in association with the IGRS, School of Advanced Study, University of London since 2009.